Sunday Stories: Gass if
Time for my story. It might very well be the last (I say, as if anybody cares). As if I care whether manybodies care. Faux is the pas of making an out-of-bracket comment on a between brackets comment. And that quite sums up my story. That and a rather improper use of the words ‘and’ and ‘that’ and that mainly at the start of sentences. And excessive self-commenting, I guess. That too.
As if I know the only one watching me am I; compelling me to do, comment on doing and reflect on the commenting – all at once. Not – also not a word to lead a sentence with, I might add (and just did: add that is) – particularly an attraction people will pay for. Not even an attraction people won’t pay for. Not even one to ignore. Just something not to notice. What if, then again, what if such and such?
April 28, 2013 Posted by Guido Nius | Sunday Stories | Gass, Middle C, post-perfectionism, The Tunnel, tones | Leave a Comment
The Sunday Tunnel: No Light, No Tunnel
[Continues from here.]
This is where it ends. Where I start yet another life filled to the brim with dreams that, if not frustrated, will get frustrating. So much is true of any tunnel: that if there is no light at the end of it, it is no tunnel (regardless of timeless logic which may always hold but which in time never applies.
“(..) you always lose at solitaire, she said, smiling a rare, mother-made smile: crosswords are never completed, only given up, and card games like these are never won; that’s why I play them.” (ibid., p. 631)
The truth in this book has been ample and like that word it feels amputated as if the truth in this book is a phantom joy, the sensation of excitement felt in what is no longer there. Cut and left wet, moist with tears for what cannot be; a be that stings, a life that stinks.
“But every dark is different. Some darks may be boundless, stratospherical, pure, but I prefer mine circumscribed like a corset, and where, if I had a soul, it would be squoozen, and where, when I’m found, I’ll be identified as the remains of a Read more »
April 14, 2013 Posted by Guido Nius | Sunday Stories | Gass, quadrialectics, The Tunnel, tones | 1 Comment
The Sunday Tunnel: Mother Makes a Cake
[Continues from here.]
“Early in life, I learned to fear my birthday. Later, Christmas would follow close behind in the measured amount of my dislike. Finally, every holiday, even the Fourth of July, my former favorite, would fill me with apprehension. But it was the onset of my birthday which made my palms sweat.” (ibid., p. 604).
This is a day for me where (when?) I am off; like: milk off, like: not turned on. This is the day I should need to quote from the best piece of prose I ever read. Luckily I am off: it spares me the frustration of not being able to do justice to what has to be quoted, so allowing me to cover my disability with inability. Read it, few friends, and weep because it is all that is wrong about the world and it also has the essence of what is good about this world. Charity as in hypocritical keeping up appearances and the Gricean principle of charity trying, even if flat-out failing, to understand.
This is not it but it is something which is neither false nor falsch:
April 6, 2013 Posted by Guido Nius | Sunday Stories | Gass, right to die, The Tunnel | 2 Comments
The Sunday Tunnel: about This world and the Other
[Continues from here.]
Technically it’s a Monday but Jesus died in order for me to be able to call it Sunday. There is such a thing called serendipity (yes, it’s a thing, you can even kick it around although you don’t need a garden to do it in and it will not break windows – it could break hearts though, he added mellowly). I am reading Kripke and although that is not strictly a proof for what I just said, it does lend it – all in all and as per the below – more plausibility.
“She preferred me to begin at the base of her neck. I preferred to begin a bit higher up, on the shoreline of her hair. With my right forefinger slanted slightly to bring the nail into play, I would inscribe the course of a river – so gently, so slowly, it might have been a tear’s trail – running its convoluted way the length of Lou’s back, semicircling a buttock, and concluding in her crack, at a fulfillment one might call a delta.” (ibid., p. 554-555)
What joy is this which ends in mere tranquility? Read more »
April 1, 2013 Posted by Guido Nius | Sunday Stories | Gass, language, The Tunnel, tones | 2 Comments
The Sunday Tunnel: where it gets political
[Continues from here.]
Reading The Tunnel is like excruciatingly slow masturbation; maybe the kind of masturbation you would apply when you’re miserable to the point of thinking ‘well, let’s at least try to masturbate one last time’. First it takes a long – with a long ‘o’ kind of as a long sigh – time to get it stiff. Then, from time to time, it feels like you might actually come so you jerk harder but you don’t come. You start to wonder whether you haven’t started something you can’t finish before something else finishes you.
And then you’re here:
“Ah, Martha, my ex-in-lax, I have my own hole now, your cunt is not the only cave. Even in death, the ceremony said, if need be. Even in death, the Führer’s followers proclaimed, if it came to that. And they knew death would be where he’d take them: that land that needs no promise. He gave them triumph, exultation, purpose, a sort of secular salvation.” (ibid., p. 462)
And doesn’t that sum it up? We educate people to want things beyond mere survival, beyond fucking out of reflex – Read more »
March 24, 2013 Posted by Guido Nius | Sunday Stories | cultural optimism, Gass, post-perfectionism, The Tunnel | 2 Comments
The Sunday Tunnel: Covered and ill
[Continued from here.]
Dysfunctional, disaster, disabled, dyslexic, whether in its Greek or more modern version the sound ‘dis’ is a disturbing omen of what we don’t want. Except in one case: the case of being discovered. Some of us want that despite it being an omen all the same.
“Governali spent the fifties as a part of the chorus, but when that silly book of his – Character Crucified on the Cross of the Historical Chronicle – came out, and received raves from the reactionaries who wanted history turned back into biography, and biography backed into moralized little Aesopian fables of fate, fortune, and foolishness, edifying all git out, uplifting as a bra, rosy as the nipples in it, when the Times interviewed him, and public radio did a report; when his promotion came through without a hitch (we didn’t dare vote against it, revealing the envy we felt, the disappointment with our own vacant and weedy lot); Read more »
March 10, 2013 Posted by Guido Nius | Sunday Stories | cultural optimism, Gass, quadrialectics, right to die, The Tunnel, tones | 2 Comments
The Sunday Tunnel: 5 minutes can be enough
[Continues from here.]
I had sex this morning. Quite sure I was not the only one to have it. I can tell because of the noises I heard. Distant noises – coming from nearby, you know. Tongue in cheek, all that.
“So I hit upon honesty as the best revenge. I purchased a ladder to put up high principles.” (ibid. p. 361)
Get on with it, is what it means. Get on with it to get it over with. Get over it to get on with it. I like the it-bit. Add ‘t’ and all is fair for a while there is only that. I have just about the time to write crooked sentences and look down on them as if they are the material humanity is made of. I hate straight like I hate being taken for a ride. “It’s sincerely merrily hopeless”, Li said as if enjoying the rhythm of the sentences when somebody would quote him. Otherwise, Li was not a name to enjoy.
“Loss in life: that’s what I mourn for; that’s what we all mourn for, all of us who have been touched by the fascism of the heart. It’s not having held what was in our hands to hold; not having felt the feelings we were promised by our parents, friends, and lovers, not having got the simple goods we were assured we had honestly earned and rightfully had coming.” (ibid. p. 366)
March 3, 2013 Posted by Guido Nius | Sunday Stories | cultural optimism, Gass, right to die, The Tunnel, time, tones | 2 Comments
No Sunday Tunnel, again
I have to be deep in my tunnel. The only thing I hear is myself, digging what is probably just a hole for myself. A hole to put my needs and wants in and to emerge from differing from the other disappointed mid-lifers in just one thing: the idea that at least I have left a treasure and that somebody can read the map of my life to unearth it and provide me, posthumously, with the validation of my sincere belief in the world changing nature of my thoughts. That is why the idea of tones – clinging on to a version of the after-life which is pretty similar to the version of clothes ho’s wear in gangsta rap video’s.
When I joined this site it had 5 regular features, one for each working day. Since then it dwindled and it may well be me who started dwindling it (I can only hope I’m right in thinking correlation is not identical with causation). From hundreds and an occasional 1000+ visitor day to a stage where the plural can only be applied in tens. From multiple commentators to only the few who were still writing features and wanted to keep the hope up for their colleagues. Even that dried up, to the extent I fear even Matt has thrown in the towel leaving me to close the place without even ever having had the keys.
Dear Weblog lurkers, help is wanted!
But my tunnel will at any rate be dug. If there is one thing I promised myself it is to complete what I started and I will get to the other end. In this lifetime or the next ;-)
February 24, 2013 Posted by Guido Nius | Sunday Stories | 3 Comments
The Sunday Tunnel: Noe Jor
[Continued from here.]
I spent a week in Gotham. After a couple of days I found myself tuning into subway conversations of the young Gothamites. It sounded vaguely like English and it made me feel like the old bastard I am. It made me feel good; an old bastard I am.
“Why should another’s body be so beautiful its absence is as painful as the presence of your own?” (ibid., p. 297)
That’s it: people who like taking pictures are The Threat. They feel the pain when things get out of their frame. They feel old then. They want to conserve. They put salt and sour in every new wound – and make their hurt the principle focus of a world in which they no longer want to belong. The pictures, nice or not, will go stale, mate, but any draw is better than their loss.
“A book, I wrote, is like a deck of windows: each page is made of mind, and it is that same mind that perceives the world outside, and it is that same mind that stands translucently between perception and reflection, uniting and dividing, double dealing. Read more »
February 17, 2013 Posted by Guido Nius | Sunday Stories | cultural optimism, Gass, language, right to die, The Tunnel, tones | 2 Comments
The Sunday Tunnel: Level Again
[Continued from here]
The easiest is to just pack up and go. Not quite, it is easier still to just go. Just go. Go!
“Now I remember where I happened on it: that idea of the novelist as an historian of little lives – lives lost at Cannae, etc. It’s Eliot closing Middlemarch. I’ve looked it up.
… for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.
She must mean those who swell the ranks at riots, who comprise mobs, witness executions, contribute to the church. What of those, though, who were simply consumed?” (ibid., p. 246)
Fuck it. I looked it up two and what I remain with is: Fuck it! There are enough causes for hatred out there as there are for the common cold. People working for enterprises big enough to crush the lives of thousands of tough men and women at once. Said people simultaneously raving on one peculiar habit, that of coveting (an ‘y’ anyone?) a real interest in the men and women whose interest it is to be left alone. The common cold may be the commonest cold but that does not make the cold, any cold, common. What? 10 days a year, 15 tops. A characteristic of a subset of a set’s subset defines sad people. It is most common not to have the cold.
Kohler may quote Eliot but George’s fifty/fifty stands to Bill’s nihilism as something that is, unfortunately, already slightly over halfway to being close to the truth. Yes, that’s opaque (a bright kind of dark).
February 3, 2013 Posted by Guido Nius | Sunday Stories | cultural optimism, Gass, quadrialectics, The Tunnel, tones | 2 Comments
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